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THE EXPERIENCE

In 1981, Jessie Maple became one of the first African American women to direct an independent film with this raw, unflinching portrait of heroin addiction and recovery. Shot on location in Harlem, Will stars Obaka Adedunyo as the title character, a former All-American basketball star who has fallen from grace because of his dependence on junk. Soon after Will promises his wife, Jean (Loretta Devine, in her screen debut), that he’ll go straight, he becomes a father figure to Little Brother (Robert Dean), a street-tough teen who appears to be following in Will’s footsteps. Restored from the 16mm camera negative and magnetic sound elements by the Black Film Center & Archive (BFCA), the Smithsonian National Museum of African American History and Culture’s Time-Based Media Archives and Conservation staff, and the Center for African American Media Arts. 

ON SCREEN: Will 

1981. Directed by Jesse Maple. Runtime: 83 minutes. 

In 1981, Jessie Maple became one of the first African American women to direct an independent film with this raw, unflinching portrait of heroin addiction and recovery. Shot on location in Harlem, Will stars Obaka Adedunyo as the title character, a former All-American basketball star who has fallen from grace because of his dependence on junk. Soon after Will promises his wife, Jean (Loretta Devine, in her screen debut), that he’ll go straight, he becomes a father figure to Little Brother (Robert Dean), a street-tough teen who appears to be following in Will’s footsteps. By wising Little Brother up to the needle’s harsh realities, and by coaching a girls’ basketball team, Will renews his sense of purpose and begins to come out from under the influence—though dangerous temptations loom for both him and his young charge. A landmark of African American cinema, Will resonates with Maple’s determination to tell the stories of her community with anger, sadness, and, ultimately, hope.

Restored from the 16mm camera negative and magnetic sound elements by the Black Film Center & Archive (BFCA), the Smithsonian National Museum of African American History and Culture’s Time-Based Media Archives and Conservation staff, and the Center for African American Media Arts, with generous funding provided by the SI-NMAAHC Robert Frederick Smith Center for the Digitization and Curation of African American History.

Selected for preservation by the Library of Congress, this groundbreaking landmark of Black cinema embodies Maple’s trailblazing determination to reflect the stories of her community onscreen. 

Note: We do not generally provide advisories about subject matter or potentially triggering content in films, and films exhibited don’t necessarily reflect the views of PAM CUT, the Tomorrow Theater, or the Portland Art Museum. In addition to the synopses, trailers and other links on our website, further information about content and age-appropriateness for specific films can be found on sites like Common Sense Media, IMDb and DoesTheDogDie.com.