Tickets $15. Join us for a heartwarming Mother’s Day celebration with a special screening of Steel Magnolias. This iconic film beautifully captures the resilience, strength, and boundless love that mothers embody every day. Bring your loved ones for this celebration of the remarkable moms in our lives. Six icons of the silver screen—Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, and Julia Roberts—come together as bosom buddies in this heartwarming story of life, love, and loss in a small Louisiana parish. At the center of the group is Shelby Eatenton Latcherie (Julia Roberts), newly married and joyfully pregnant, despite the fact that her diabetes could make childbirth life-threatening. Terrified and angry at the possibility of losing her only daughter, M’Lynn Eatenton (Sally Field) looks to her four closest friends for strength and laughter as she battles her deepest fear of death in order to join Shelby in celebrating the miracle of new life.
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Tickets $15. Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
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Tickets $15. Grab a can of pineapple juice and crank up Faye Wong’s cover of “Dreams”—we’re celebrating 30 years of the Wong Kar-wai masterpiece Chungking Express. A touching study of love, connection and heartbreak, the film’s emotional power feels just as raw today as its 1994 release. Portland band The Fourth Wall will play a set inspired by the film.
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Tickets $15. Put your sneakers on and dance on down to the Tomorrow Theater for one of the most iconic displays of futuristic sneakers in cinema, presented in celebration of PAM’s Future Now: Virtual Sneakers to Cutting-Edge Kicks exhibition. This 1989 sequel managed to correctly predict numerous technological changes that would come to fruition 26 years later, including smart home technology, video chat systems, hands-free video games, and tablet computers with fingerprint scanners. The Nike Air Mag, depicted in Back to the Future II became an actual, self-lacing shoe in 2008, created by footwear innovators Tinker Hatfield and Tiffany Beers.
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Tickets $15. Gone West PDX will transport us somewhere that’s green with a pop-up plant sale before a screening of this musical tale of murderous foliage.
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Tickets $15. Fall in love with love again with this screening of the best modern rom com in recent memory. Featuring a beautiful South London backdrop, beyond charming leads and a grand romantic gesture for the history books.
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Join us for a fully immersive screening of the unforgettable musical. Wear your best feline costume for the Jellicle Ball, featuring T.S. Eliot poetry readings, sing-a-long challenges and a theater-wide initiation to the Heaviside Layer.
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Tickets $15. Your dreams of hearing “that’s so fetch,” “on Wednesdays we wear pink” and “you go Glen Coco” set to music have finally come true. Join us for a screening of the musical remake of one of the best high school comedies ever, burn book & all.
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Tickets $15. Chronicling four years in the life of Julie, THE WORST PERSON IN THE WORLD examines one woman’s quest for love and meaning in the modern world.
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Tickets $15. Finally making its way to the USA after the film’s TIFF premiere, I Like Movies transports us to the world of a movie-loving teenager working at a Canadian video rental store in the early 2000s. In Burlington, Ontario, in 2003, hyper-ambitious teenage cinephile Lawrence Kweller (Isaiah Lehtinen) dreams of attending film school at NYU’s Tisch School of the Arts. In order to raise the hefty tuition fee, he gets his dream job at the local video store, Sequels. Wracked with anxiety about his future, Lawrence begins alienating the most important people in his life—his best friend Matt Macarchuck (Percy Hynes White), his single mother Terri (Krista Bridges)—all while developing a complicated friendship with his older female manager, Alana (Romina D’Ugo). As graduation looms ever closer, a series of painful realizations force Lawrence to realize that he is a pretentious asshole.
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