Tickets $15. The story of a real fake place. When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance.
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Tickets $15. Free Eden employee, Apple, secretly runs a witchy femme cult in the basement of the mall store after hours with fellow fruits, Cherry and Fig. But, when new hire Pumpkin challenges their performative sisterhood, the women are forced to face their own poisons or succumb to a bloody fate.
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Tickets $15. In partnership with Music Millennium and Matador Records, this special screening honors the legacy of Pavement and their lasting impact on indie rock culture.
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Tickets $15. In this sharp, irreverent comedy, a disgraced fashion designer with a dangerously low credit score, Margarita enters a reality show with a six-figure cash prize to save her babushka’s West Hollywood apartment.
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Tickets $15. John Waters’ gloriously grotesque, unavailable-for-decades second feature comes to theaters at long last, replete with all manner of depravity, from robbery to murder to one of cinema’s most memorably blasphemous moments.
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Tickets $15. Join us for a filthy John Waters weekend, where we’ll show two gloriously unhinged classics from the mind of the King of Filth. Self-described as an “exercise in poor taste,” Pink Flamingos is outrageous, confrontational, and still shocking decades later.
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Tickets $15. The movie you didn’t know you needed? It’s about a woman (played by Juliette Lewis) who swaps bodies with a chair—and everyone prefers her that way.
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Tickets $15. Christopher Guest’s brilliantly awkward mockumentary about small-town theater kids chasing big Broadway dreams.
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Tickets $15. A true story told with wild invention, 24 Hour Party People drops you into the myth-making madness of Manchester’s music scene—from punk’s first shockwaves to the birth of Factory Records and The Haçienda.
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Tickets $15. An anarchic comedy told without words, a sensory feast to be felt through art and music, featuring an electrifying score by Philip Glass with a performance of “Pastoral Music Reimagined,” an original electro acoustic music composition feeding into audio reactive visual synthesis prior to the film.
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